![]() I'm a bot working hard to help Redditors find related videos to watch. +1 - I'm not really an expert of 16th century madrigals but what I meant is that labeling an era as polyphonic or homophonic makes no sense (be it renaissance or baroque or classicism), since both kind of musical writings coexisted side by side in every e. (1) Musica Rinascimentale 1: Simone Sorini in "Zephiro spira" di Bartolomeo Tromboncino (2) Jommelli - Didone Abbandonata - Aria: "cadrà fra poco in cenere" (3) Miserere: Niccolo Jommelli: A Sei Voci: Bernard Fabre-Garrus (Musical history is more continuous than discontinuous.) But the essential stylistic characteristics of the early 17th century that define our notion of a new "baroque" style foreground homophony, not polyphony: monody, basso continuo, an. ![]() (1) Josquin - El Grillo (score + audio + lyrics) (2) Giovanni Gastoldi - Balletti per Cantare, Sonare e Ballare (1591) (3) Willaert - Vecchie letrose (villanella) - (score) (4) Giulio Caccini - Amor, io parto - Montserrat Figueras is that homophony is (music) a texture in which two or more parts move together in harmony, the relationship between them creating chords while polyphony is (music) musical texture consisting of several independent melodic voices, as opposed to music with just one voice (monophony) or music with one dominant melodic voice accompanied by chords (. I get where you're coming from, if you think of WTC fugues as prototypically baroque, but this is Monteverdi, this is Rameau, and. +3 - I think this is a big oversimplification that ignores why "homophony" is often included in descriptions of the baroque. ![]() You can further distinguish between 'homorhythmic' textures where all voices are equally-paced - such as your standard 4-part hymn - and 'melody/accompaniment' textures - where the melody moves with relative freedom. 8: He sent a thick darkness (coro) - (score) Homophony is the polyphonic texture that arises when some or all of the voices move with relatively little rhythmic independence. ![]() (1) Monteverdi, L'Orfeo, Tu sei morta (with score) (2) Tristes Apprêts, Pâles Flambeaux ENGLISH / FRENCH SUBTITLES (3) Handel - Israel in Egypt - N. ![]()
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